One of the most interesting of the many interesting stories of our civilization is the story of Music. It affords an intimate knowledge of the inner life of man as manifested in different epochs of the world's history. He who has failed to follow it has failed to comprehend the noblest phenomena of human progress.
Mythology and legendary lore abound in delightful traditions in regard to the birth of music. The untutored philosophers of primitive humanity and the learned philosophers of ancient civilizations alike strove to solve the sweet, elusive mystery surrounding the art. Through the myths and legends based on their speculations runs a suggestion of divine origin.
The Egyptians of old saw in their sublime god, Osiris, and his ideal spouse, Isis, the authors of music. Among the Hindus it was regarded as a priceless gift from the great god Brahma, who was its creator and whose peerless consort, Sarasvati, was its guardian. Poetic fancies in these lines permeate the early literature of diverse peoples.
This is not surprising. Abundant testimony proves that the existence of music is coeval with that of mankind; that it is based on the modulations of the human voice and the agitations of the human muscles and nerves caused by the infinite variations of the spiritual and emotional sensations, needs and aspirations of humanity; that it has grown with man's growth, developed with man's development, and that its origin is as divine as that of man.
