I, California : The Occasional History of a Child Actress/Tap Dancer/Record Store Clerk/Thai Waitress/Playboy Reject/Nightclub Booker/Daily Show Correspondent/Sex Columnist/Recurring Character/and Whatever Else

Hilarious. Smart. Bitter. Sweet. Self-deprecating. Stacey Grenrock Woods. Experience with her the stirring joys of receiving a Peter Frampton poster for Hanukkah, sitting for a head-shot photo session as a child actress, waitressing Pan-Asian fusion cuisine, having musicians for boyfriends, humiliating people on The Daily Show, and waiting for prescription drugs. Oh, the waiting.

From the idyllic sprout-and-yogurt San Fernando seventies; to the idyllic painter's-cap-and-bandanna eighties; to the idyllic, heroin-clouded Viper Room nineties; to the idyllic Botox-infused present, Stacey Grenrock Woods has experienced a prototypically Southern California life on the margins of fame, which is roughly the equivalent of a prototypical American life, isn't it?

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I, California : The Occasional History of a Child Actress/Tap Dancer/Record Store Clerk/Thai Waitress/Playboy Reject/Nightclub Booker/Daily Show Correspondent/Sex Columnist/Recurring Character/and Whatever Else

Hilarious. Smart. Bitter. Sweet. Self-deprecating. Stacey Grenrock Woods. Experience with her the stirring joys of receiving a Peter Frampton poster for Hanukkah, sitting for a head-shot photo session as a child actress, waitressing Pan-Asian fusion cuisine, having musicians for boyfriends, humiliating people on The Daily Show, and waiting for prescription drugs. Oh, the waiting.

From the idyllic sprout-and-yogurt San Fernando seventies; to the idyllic painter's-cap-and-bandanna eighties; to the idyllic, heroin-clouded Viper Room nineties; to the idyllic Botox-infused present, Stacey Grenrock Woods has experienced a prototypically Southern California life on the margins of fame, which is roughly the equivalent of a prototypical American life, isn't it?