Deriving from the French word rocaille, in reference to the curved forms of shellfish, and the Italian Barocco, the French created the term Rococo. Appearing at the beginning of the 18th-century, it rapidly spread to the whole of Europe. Extravagant and light, Rococo responded perfectly to the spontaneity of the aristocracy of the time. In many aspects, this art was linked to its predecessor, Baroque, and it is thus also referred to as late Baroque style. While artists such as Tiepolo, Boucher and Reynolds carried the style to its apogee, the movement was often condemned for its superficiality. In the second half of the 18th-century, Rococo began its decline. At the end of the century, facing the advent of Neoclassicism, it was plunged into obscurity. It had to wait nearly a century before art historians could restore it to the radiance of its golden age, which is rediscovered in this work by Klaus H. Carl and Victoria Charles.
Réflexions sur Dubaï
Klaus H. Carl
bookArt History The Viennese Secession
Klaus H. Carl, Victoria Charles
bookArt History Romanesque art
Victoria Charles, Klaus H. Carl
bookReflexionen über Dubai
Klaus H. Carl
bookHistoire de l'art L'art gothique
Victoria Charles, Klaus H. Carl
bookArt History Gothic art
Victoria Charles, Klaus H. Carl
bookArt History Baroque art
Klaus H. Carl, Victoria Charles
bookArt History Rococo
Klaus H. Carl, Victoria Charles
bookAthens
Klaus H. Carl
bookRio de Janeiro
Ingo Latotzki, Klaus H. Carl
bookPrague
Klaus H. Carl
bookBangkok
Caren Weiner Campbell, Klaus H. Carl
book