At the end of Phineas Finn , the second of Anthony Trollope's Palliser series , Phineas has abandoned his parliamentary career, accepted a sinecure in the civil service in Dublin, and married his Irish sweetheart. As Phineas Redux begins, he is a widower and tired of Dublin life. Fortunately for him, his friends in London believe he might be enticed back to take a role as a member of Parliament in the face of the latest political crisis. Phineas answers the call—but all does not turn out as planned. His friends welcome him back, but even this involves serious social complications. And, it transpires, even the likable Phineas Finn has political enemies who wish to spoil his return to public life. Along the way, Phineas continues to deepen his understanding of both personal and public politics. As in The Eustace Diamonds , Trollope weaves high drama into his plot, but refuses to keep secrets from his readers. Far from having a dampening effect on the tension, the focus of Trollope's art directs his readers' attention to the psychological conflicts that arise. At this point in the series, something of Trollope's own political disappointments begin to cast a shadow over the maneuvers and machinations of both local and parliamentary politics. There is still a nobility about public service, though, of which Trollope never loses sight, and which will play a larger role as the series moves towards its conclusion. Anthony Trollope (died 1882) was one of the most distinguished authors of the Victorian age. Their work has endured across generations and continues to be read and studied worldwide. As a work of classic literary fiction, Phineas Redux exemplifies the narrative craft and social insight that defined great storytelling of its era. Literary fiction of this period was characterized by careful attention to character psychology, social milieu, and the moral questions that animated public discourse.
