The comedy is surprisingly lively, sparkling and witty, despite the fact that the plot is set by conventions that seem to be implausible: two pairs of separated twins, and even with the same names, because of which there are ridiculous confusions. Here, there is the atmosphere of the Italian Renaissance, and the topicality of the Shakespearean era, and some special Greek flavor, and a little lyricism, and satire on family customs, and the touchingness of meeting and reuniting family people, and all this is so naturally intertwined that it’s just a delight.
100 Klassiker der Romantik - Meisterwerke, die man kennen muss : Epische Liebesdramen und große Erwartungen in zeitlosen Geschichten
Jane Austen, Louisa May Alcott, D. H. Lawrence, Fjodor Dostojewski, William Shakespeare, Hedwig Courths-Mahler, Frances Burney, Charlotte Brontë, Alexandre Dumas, Margaret Mitchell, Charles Dickens, L.M. Montgomery, Eugenie Marlitt, Wilhelmine Heimburg, Elisabeth Bürstenbinder, Stendhal, Johann Wolfgang von Goethe, Walter Scott, Guy De Maupassant, Victor Hugo, George Sand, Leo Tolstoi, Gabriele D’Annunzio, Rudyard Kipling, Gustave Flaubert, Nathaniel Hawthorne, Jean-Jacques Rousseau, Bernardin de Saint-Pierre, F. Scott Fitzgerald, Prosper Mérimée, Edith Wharton, Lena Christ, François-René de Chateaubriand, Stefan Zweig, Alexander Sergejewitsch Puschkin, Ida Boy-Ed, Arthur Schnitzler, Anatole France, Johanna Spyri, George Eliot, Gaston Leroux, Nataly von Eschstruth, Gottfried von Straßburg, Sophie Mereau, Caroline von Wolzogen, Benedikte Naubert, Henry De Vere Stacpoole, Levin Schücking
