In 'Twice Killed: A Farce in One Act', master dramatist John Oxenford orchestrates a tightly spinning kaleidoscope of mistaken identities, spirited trickery, and comedic conflict. With a robust cast of eighteen characters, the play epitomizes the conciseness and wit expected of a single-act farce, yet it bellows with the vibrancy of a full-length work. Performed for the first time at London's Royal Olympic Theatre in 1835, this forty-five-minute revel boasts a nimble narrative and a chorus of ludicrous escapades, striking a chord with farcical comedy's golden age tendencies. Oxenford's script sparkles with playful exchanges and capers, evinced in an exchange where the chancer Ralph Reckless sardonically contemplates his own misadventures. The literary mastery herein presents a pivotal moment in farcical theater—the bridging of Regency and Victorian sensibilities, emboldened by a honed satirical edge that has charmed audiences since its inception.
John Oxenford, the architect of this lively tale, is celebrated in the annals of English theater not merely for his comedic prowess but also for his distinguished contributions as a critic and translator. His illustrious contemporaries and the prevailing humor of the time undeniably influenced Oxenford's craftsmanship. 'Twice Killed' emerges as a scintillant gem among his oeuvres, echoing the narrative ingenuity found in his array of works, from 'Porter's Knot' to 'Dice of Death.' The farce, reflecting its creator's intellectual fervor and agile penmanship, stands testament to his ability to suffuse the conventions of the genre with freshness and originality. The experience Oxenford garnered through his eclectic pursuits in drama and critique has imparted a nuanced depth to this seemingly frothy spectacle.
Scholars, theater aficionados, and general readers longing for a glimpse into the heart of 19th-century British farce will find 'Twice Killed' a delightful and essential reading. The play is recommended for its ability to elicit waves of laughter and provide a sophisticated reflection of societal follies. Oxenford's work, marked by cleverness and linguistic charm, continues to delightfully ensnare the imagination of its audience, offering a sterling invitation into the jubilant arena of classic farcical theater.
