Gertrude Stein's "Composition as Explanation" delves into the intricate relationship between language and artistic expression. Published in 1926, the essay explores Stein's unique approach to writing and challenges conventional perceptions of composition. With a distinctive prose style, she reflects on the nature of creativity, emphasizing the significance of repetition and abstraction. Stein's work serves as both an exploration of her own artistic process and a broader commentary on the essence of language in shaping our understanding of art.
THE AUTOBIOGRAPHY OF ALICE B. TOKLAS (Modern Classics Series) : Glance at the Parisian early 20th century avant-garde (One of the greatest nonfiction books of the 20th century)
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H. and E. Heron, Sheridan Le Fanu, Charlotte Riddell, Flora Annie Steel, Amelia B. Edwards, Margaret Oliphant, Edward Bellamy, Arnold Bennett, S. Baring-Gould, Daniil Kharms, E. F. Benson, Ella D'Arcy, Jacques Futrelle, Frank Richard Stockton, John Kendrick Bangs, Kenneth Grahame, Julian Hawthorne, A. E. W. Mason, Richard Middleton, Pierre Louÿs, Sir Hugh Seymour Walpole, Ethel Richardson, Gertrude Stein, E. Phillips Oppenheim, Arthur Quiller-Couch, Mór Jókai, Andy Adams, Bertha Sinclair, Fitz James O'Brien, Eleanor H. Porter, Valery Bryusov, John Ulrich Giesy, Otis Adelbert Kline, Paul Laurence Dunbar, Barry Pain, Gertrude Bennett, Francis Marion Crawford, William Pett Ridge, Gilbert Parker, Harriet Elizabeth Prescott Spofford, Elizabeth Garver Jordan, Richard Austin Freeman, Alice Duer Miller, Leonard Merrick, Anthony Hope, Ethel Watts Mumford, Anne O'Hagan Shinn, B. M. Bower, August Nemo
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