Serial storytelling has the advantage of unlocking rather than simplifying the complexities of digital culture. With their worldbuilding potential, TV series open up new artistic horizons, particularly for the dystopian genre. Situated at the nexus of dystopia, complex TV, and a metamodern cultural logic, Dystopia on Demand: Technology, Digital Culture, and the Metamodern Quest in Complex Serial Dystopias offers readers novel insights into the dynamics of serial dystopias in the contemporary streaming landscape. Introducing the term 'complex serial dystopias' to describe series that allow audiences to engage with the dystopian premise from multiple angles, the book examines four Anglo-American series, including Black Mirror, Mr. Robot, Westworld, and Kiss Me First. The in-depth analyses trace the variety of ways in which these series offer critical reflections on the human-technology entanglement in digital culture.
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Volumen 88 en Mannheimer Beiträge zur Literatur- und KulturwissenschaftIdioma:
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Finance, Terror, and Science on Stage : Current Public Concerns in 21st-Century British Drama

Community, Seriality, and the State of the Nation: British and Irish Television Series in the 21st Century

Literarische Perspektiven auf den Kapitalismus : Fallbeispiele aus dem 21. Jahrhundert

Absent Rebels: Criticism and Network Power in 21st Century Dystopian Fiction

The Transformative Power of Literature and Narrative: Promoting Positive Change : A Conceptual Volume in Honour of Vera Nünning



