An approach which includes sight-reading in daily practising at an early stage. Instead of dry exercises, these editions focus on the use of idiomatic melodies. This is how sight-reading is meant to be - FUN!
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 - The Classical Piano Method : Method Book 1- Hans-Günter Heumannbook
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 - Concerto en ré : for violin and orchestra- Igor Stravinskybook
 - Piano Concerto No. 2 F minor : Op. 21- Frédéric Chopinbook
 - Trumpet Sight-Reading : A fresh approach- John Kemberbook
 - Clarinet Sight-Reading 1 : A fresh approach- John Kember, Graeme Vinallbook
 - Viola Sight-Reading 2 : A fresh approach- John Kemberbook
 - Viola Sight-Reading 1 : A fresh approach- John Kemberbook
 - Horn Sight-Reading : A fresh approach- John Kember, Tom Bettleybook
 - Recorder Sight-Reading 2 : A fresh approach- John Kemberbook
 - Bassoon Sight-Reading : A fresh approach- John Kember, Danielle Hartleybook
 - Recorder Sight-Reading 1 : A fresh approach- John Kemberbook
 - Trombone Sight-Reading : A fresh approach- John Kember, Simon Tate-Loverybook
 - Saxophone Sight-Reading 2 : A fresh approach- John Kemberbook
 - Saxophone Sight-Reading 1 : A fresh approach- John Kember, Graeme Vinallbook
 - Viola Sight-Reading 1 : A fresh approach- John Kemberbook
 - Viola Sight-Reading 2 : A fresh approach- John Kemberbook
 - Recorder Sight-Reading 1 : A fresh approach- John Kemberbook
 - Bassoon Sight-Reading : A fresh approach- John Kember, Danielle Hartleybook
 - Recorder Sight-Reading 2 : A fresh approach- John Kemberbook
 - Trombone Sight-Reading : A fresh approach- John Kember, Simon Tate-Loverybook
 - Double Bass Sight-Reading : A fresh approach- John Kember, David Starkbook
 - Saxophone Sight-Reading 2 : A fresh approach- John Kemberbook
 - Oboe Sight-Reading 1 : A fresh approach- John Kemberbook
 - Trumpet Sight-Reading : A fresh approach- John Kemberbook
 - Saxophone Sight-Reading 1 : A fresh approach- John Kember, Graeme Vinallbook
