The Beautiful and the Damned - Francis Scott Fitzgerald - Fitzgeralds second novel, a devastating portrait of the excesses of the Jazz Age, is a largely autobiographical depiction of a glamorous, reckless Manhattan couple and their spectacular spiral into tragedy. Published on the heels of This Side of Paradise, the story of the Harvard-educated aesthete Anthony Patch and his willful wife, Gloria, is propelled by Fitzgeralds intense romantic imagination and demonstrates an increased technical and emotional maturity. The Beautiful and Damned is at once a gripping morality tale, a rueful meditation on love, marriage, and money, and an acute social document. As Hortense Calisher observes in her Introduction, Though Fitzgerald can entrance with stories so joyfully youthful they appear to be safewhen he cuts himself, you will bleed.This book has caused an even greater sensation in America than This Side of Paradise. It is a long, searching, and absolutely convincing study of degeneration, that degeneration which ruins so many of the rich, young, idle people. The "smart set" of New York is hurled into the limelight and mercilessly revealed. A witty, pungent, and entirely orginal book. An excellent portrayal of the Eastern elite at the beginning of the Jazz Age.
100 Clásicos de la Literatura
Francis Scott Fitzgerald, Mary Shelley, Lyman Frank Baum, Louisa May Alcott, Dante Alighieri, Jane Austen, Ambrose Bierce, Emily Brontë, Edgar Rice Burroughs, Lewis Carroll, Wilkie Collins, René Descartes, Charles Dickens, Emily Dickinson, Alexandre Dumas, Gustave Flaubert, Benito Pérez Galdós, Johann Wolfgang von Goethe, Thomas Hardy, E. T. A. Hoffmann, Washington Irving, Henry James, James Joyce, Franz Kafka, Gaston Leroux, Federico García Lorca, H. P. Lovecraft, Publio Virgilio Marón, Lucy Maud Montgomery, John William Polidori, Marco Polo, Antoine De Saint-Exupéry, Emilio Salgari, Walter Scott, Mark Twain, Jules Verne, H. G. Wells, Edith Wharton, Mary Wollstonecraft, Fernando de Rojas, Masterpiece Everywhere
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