This course is not designed as a chronological survey of musical history and its many stylistic periods or moments, nor an exploration of the lives and output of individual composers. Instead, these lectures focus on the development of listening skills. Through this course you will develop new levels of aural awareness that will allow you to better appreciate the richness, complexity and excitement at the heart of all great concert music. Music is a performative art. It stresses movement through time and engages our suggestive sense of its passing. Music has tendency, it normally invokes goals of various sorts, both near and far. Music has closure, a sensation not just of ending, but of expecting no more. Music also has accent. It is a dynamic process of stresses and nuance that often varies in dimension from one performance to the next. My approach in this course will by design be thematic and eclectic. It will juxtapose styles and passages from different works designed to highlight a particular musical concept or aural effect. Don't worry about definitions, those are provided in the glossary at the end of this guide. Instead, concentrate on the musical examples themselves.
The History of Classical Music
Richard Fawkes
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Philip Toshio Sudo
audiobookbookKristallista savuksi : Kaija Saariahon maailma
Pekka Hako
audiobookbookThe War on the West : How to Prevail in the Age of Unreason
audiobookMusikaaliset geenit
Liisa Ukkola-Vuoti
audiobookbookJuice puhuu : Kootut muistelmat Vol II
Kaj Lipponen, Harri Tuominen, Waldemar Wallenius
audiobookbookPako Berliinin ali
Helena Merriman
audiobookbookJuice puhuu : Kootut muistelmat Vol I
Harri Tuominen, Waldemar Wallenius
audiobookbookClassical Music : A Beginner's Guide
Julian Johnson
bookLe Nozze di Figaro : Overture to the Opera, K. 492
Wolfgang Amadeus Mozart
bookOn the Road and Off the Record with Leonard Bernstein
Charlie Harmon
audiobookThe Musician's Mind
Lynn Helding
audiobook