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  1. Kirjat
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Pablo Picasso and artworks

Picasso was born a Spaniard and, so they say, began to draw before he could speak. As an infant he was instinctively attracted to artist’s tools. In early childhood he could spend hours in happy concentration drawing spirals with a sense and meaning known only to himself. At other times, shunning children’s games, he traced his first pictures in the sand. This early self-expression held out promise of a rare gift. Málaga must be mentioned, for it was there, on 25 October 1881, that Pablo Ruiz Picasso was born and it was there that he spent the first ten years of his life. Picasso’s father was a painter and professor at the School of Fine Arts and Crafts. Picasso learnt from him the basics of formal academic art training. Then he studied at the Academy of Arts in Madrid but never finished his degree. Picasso, who was not yet eighteen, had reached the point of his greatest rebelliousness; he repudiated academia’s anemic aesthetics along with realism’s pedestrian prose and, quite naturally, joined those who called themselves modernists, the non-conformist artists and writers, those whom Sabartés called “the élite of Catalan thought” and who were grouped around the artists’ café Els Quatre Gats. During 1899 and 1900 the only subjects Picasso deemed worthy of painting were those which reflected the “final truth”; the transience of human life and the inevitability of death. His early works, ranged under the name of “Blue Period” (1901-1904), consist in blue-tinted paintings influenced by a trip through Spain and the death of his friend, Casagemas. Even though Picasso himself repeatedly insisted on the inner, subjective nature of the Blue Period, its genesis and, especially, the monochromatic blue were for many years explained as merely the results of various aesthetic influences. Between 1905 and 1907, Picasso entered a new phase, called “Rose Period” characterised by a more cheerful style with orange and pink colours. In Gosol, in the summer of 1906 the nude female form assumed an extraordinary importance for Picasso; he equated a depersonalised, aboriginal, simple nakedness with the concept of “woman”...


Kirjailija:

  • Victoria Charles

Muoto:

  • E-kirja

Kesto:

  • 154 sivut

Kieli:

englanti

Kategoriat:

  • Kulttuuri
  • Taide ja valokuvaus

Lisää kirjoittajalta Victoria Charles

Ohita lista
  1. Osa kansista näkyy vain sisäänkirjautuneena

    1000 Erotic Works of Genius

    Hans-Jürgen Döpp, Joe A. Thomas, Victoria Charles

    book
  2. Osa kansista näkyy vain sisäänkirjautuneena

    30 Millennia of Erotic Art

    Hans-Jürgen Döpp, Joe A. Thomas, Victoria Charles, Klaus H. Carl

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  3. Osa kansista näkyy vain sisäänkirjautuneena

    Erotic Drawings 120 illustrations

    Victoria Charles

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  4. Art History Art Deco

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  5. Camille Claudel

    Victoria Charles

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  6. Art History Romanesque art

    Victoria Charles, Klaus H. Carl

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  7. Art History Renaissance art

    Victoria Charles

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  8. Art History The Viennese Secession

    Klaus H. Carl, Victoria Charles

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  9. Caspar David Friedrich. Mystique et Nature

    Victoria Charles

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  10. L'art de l'Égypte ancienne. Histoire de l'art

    Elie Faure, Victoria Charles

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  11. Histoire de l'art L'art gothique

    Victoria Charles, Klaus H. Carl

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  12. Art History Abstract art

    Victoria Charles

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Great Masters Sarja

Ohita lista
  1. Wassily Kandinsky and artworks

    Mikhaïl Guerman

    book
  2. Rembrandt

    Klaus Carl

    book
  3. James McNeill Whistler

    Patrick Chaleyssin

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  4. Paul Cézanne 1839-1906

    Anna Barskaya, Yevgenia Georgievskaya

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  5. Georgia O'Keeffe

    Janet Souter

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    Victoria Charles

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