This study connects the idiosyncratic modernism of Wyndham Lewis, co-founder of the Vorticist art movement, with works of several artists from the British art rock tradition, among them Bryan Ferry, David Bowie, art-punk pioneers Wire and electronic pop musician John Foxx. By taking a transdisciplinary and intermedial approach to texts from two fields normally studied in isolation and staking out the elements of a shared modernist ethos, the book presents a new perspective on both fields relevant to scholars of literature, popular culture, and the visual arts alike. While the book rests on sound research from the fields of literary criticism, art history, and pop theory, the structure and writing of the book is fundamentally designed to be accessible and comprehensible to non-scholarly readers.
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Numero 150 in Schweizer Anglistische Arbeiten (SAA)Kieli:
englanti
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A Catalogue of Manuscripts Known to Contain Old English Dry-Point Glosses

Fictions of Home : Narratives of Alienation and Belonging, 1850-2000

Revisiting Renoir, Manet and Degas : Impressionist Figure Paintings in Contemporary Anglophone Art Fiction

The Production of Lateness : Old Age and Creativity in Contemporary Narrative

One Great Family: Domestic Relationships in Samuel Richardson's Novels

Between Dream Houses and "God's Own Junkyard": Architecture and the Built Environment in American Suburban Fiction

Bilingual Couples in Conversation
