Born at the dawn of the 20th century, Fauvism burst onto the artistic scene at the 1905 Salon d'Automne with great controversy by throwing bright, vibrant colours in the face of artistic convention. Fuelled by change, artists like Matisse, Derain, and Vlaminck searched for a new chromatic language by using colour out of its habitual context. Freed from the strict technique advocated by the École des Beaux-Arts, they used blocky colours as their main resource, saturating their stunning paintings. The author invites us to experience this vivid artistic evolution that, although encompassing a short amount of time, left its mark on the path to modernity.
Claude Monet et œuvres d'art
Nathalia Brodskaya
bookÉdouard Manet et œuvres d'art
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bookPierre-Auguste Renoir et œuvres d'art
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bookPaul Cézanne et œuvres d'art
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bookPierre Bonnard et œuvres d'art
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bookMary Cassatt et œuvres d'art
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bookPaul Gauguin
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bookEdgar Degas
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bookLe Post-Impressionnisme
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bookLes Fauves
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bookCamille Pissarro
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bookRussian Avant-Garde
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bookL'Art byzantin
Charles Bayet
bookByzantine Art
Charles Bayet
bookLe Rococo
Victoria Charles, Klaus Carl
bookLe Post-Impressionnisme
Nathalia Brodskaya
bookL'Art Deco
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bookKubismus
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bookRomanticism
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