A drifting asteroid between Mars and Jupiter should have been nothing more than a temporary stop. Instead, it greets two spacemen with fields that glow, buds that fire back, and a path that leads to a sealed door bearing the mark of Earth. Someone has lived here. Someone has farmed this frozen stone. And someone has left a body standing guard in the cold.
Inside the buried cabin, they meet Ghor, a pale, sharp-eyed figure who claims the asteroid as his birthplace. He has shaped alien weeds into trees, roses, and even corn that tastes like home. His plants regenerate at impossible speed, divide like living hydras, and defend themselves with lethal bursts of organic radioactivity. What he and his father built is both brilliant and unstable. When the native growth begins to move, and the valley fills with stalks that hunt by sensing the faint signals of living flesh, survival will depend on more than ray guns and courage. It will require a decision that no visitor to this “Dead Man’s Planet” expects to face.
Russ Winterbotham wrote dozens of fast-moving science fiction tales during the 1940s and 1950s, publishing in magazines such as Planet Stories, Startling Stories, and Thrilling Wonder Stories. He later moved into television writing, contributing scripts to programs including Captain Video and His Video Rangers. “Dead Man’s Planet” showcases his gift for high-concept speculation grounded in physical detail: low gravity, airless rock, regenerative biology, and a single startling twist that reframes everything that came before. It is classic magazine-era science fiction at full power—bold, strange, and unforgettable.
