The Picture of Dorian Gray

"It is your best work, Basil, the best thing you have ever done," said Lord Henry, languidly. "You must certainly send it next year to the Grosvenor. The Academy is too large and too vulgar. The Grosvenor is the only place." "I don't think I will send it anywhere," he answered, tossing his head back in that odd way that used to make his friends laugh at him at Oxford. "No: I won't send it anywhere." Lord Henry elevated his eyebrows, and looked at him in amazement through the thin blue wreaths of smoke that curled up in such fanciful whorls from his heavy opium-tainted cigarette. "Not send it anywhere? My dear fellow, why? Have you any reason? What odd chaps you painters are! You do anything in the world to gain a reputation. As soon as you have one, you seem to want to throw it away. It is silly of you, for there is only one thing in the world worse than being talked about, and that is not being talked about. A portrait like this would set you far above all the young men in England, and make the old men quite jealous, if old men are ever capable of any emotion." "I know you will laugh at me," he replied, "but I really can't exhibit it. I have put too much of myself into it." Lord Henry stretched his long legs out on the divan and shook with laughter. "Yes, I knew you would laugh; but it is quite true, all the same." "Too much of yourself in it! Upon my word, Basil, I didn't know you were so vain; and I really can't see any resemblance between you, with your rugged strong face and your coal-black hair, and this young Adonis, who looks as if he was made of ivory and rose-leaves. Why, my dear Basil, he is a Narcissus, and you--well, of course you have an intellectual expression, and all that. But beauty, real beauty, ends where an intellectual expression begins. Intellect is in itself an exaggeration, and destroys the harmony of any face. The moment one sits down to think, one becomes all nose, or all forehead, or something horrid. Look at the successful men in any of the learned professions. How perfectly hideous they are! Except, of course, in the Church. But then in the Church they don't think. A bishop keeps on saying at the age of eighty what he was told to say when he was a boy of eighteen, and consequently he always looks absolutely delightful. Your mysterious young friend, whose name you have never told me, but whose picture really fascinates me, never thinks. I feel quite sure of that. He is a brainless, beautiful thing, who should be always here in winter when we have no flowers to look at, and always here in summer when we want something to chill our intelligence. Don't flatter yourself, Basil: you are not in the least like him."

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Författare:

Oscar Wilde

Uppläsare:

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Språk:

Engelska

Format:

Ljudbok

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Oscar Wilde
Wilde, Oscar, 1854–1900, brittisk (irländsk) författare. Wilde propagerade för konsten för dess egen skull. 1891 gav han ut den melodramatiska romanen Dorian Grays porträtt, som vill visa att konsten inte har något med moral att göra. Men det var med de sena komedierna, fulla av spirituella repliker, som Wilde slog igenom på allvar, t.ex. En idealisk äkta man (1895) och mästerverket Mister Earnest (1895). Wilde, Oscar, 1854–1900, brittisk (irländsk) författare. Wilde propagerade för konsten för dess egen skull. 1891 gav han ut den melodramatiska romanen Dorian Grays porträtt, som vill visa att konsten inte har något med moral att göra. Men det var med de sena komedierna, fulla av spirituella repliker, som Wilde slog igenom på allvar, t.ex. En idealisk äkta man (1895) och mästerverket Mister Earnest (1895).
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