The Lamb of God has been a recurring motif in art history for two millennia. Saskia Lerdon investigates the impact of this christological metaphor on European art. Finding numerous examples within art history, she illustrates that this metaphor has been consistently reinterpreted and reconfigured in the artists' historical situations. A key question is: Did new meanings develop in the course of this historical process beyond the original intentions of the authors of the New Testament? Hermeneutical theories such as those of Hans-Georg Gadamer help to analyse the material in addressing this question.
Kaiserkult in Kleinasien : Die Entwicklung der kultisch-religiösen Kaiserverehrung in der römischen Provinz Asia von Augustus bis Antoninus Pius
Thomas Witulski
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Affekt und Glaube : Studien zur Historischen Psychologie des Frühjudentums und Urchristentums
Petra von Gemünden
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Neutestamentliche Grenzgänge : Symposium zur kritischen Rezeption der Arbeiten Gerd Theißens
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Ancient Christian Interpretations of "Violent Texts" in the Apocalypse
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Colossae in Space and Time : Linking to an Ancient City
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Jesus – Gestalt und Gestaltungen : Rezeptionen des Galiläers in Wissenschaft, Kirche und Gesellschaft
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Asceticism and Exegesis in Early Christianity : The Reception of New Testament Texts in Ancient Ascetic Discourses
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Ancient Perspectives on Paul
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Men and Women in the Household of God : A Contextual Approach to Roles and Ministries in the Pastoral Epistles
Korinna Zamfir
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Ein neues Geschlecht? : Entwicklung des frühchristlichen Selbstbewusstseins
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Der gekreuzigte Triumphator : Eine motivkritische Studie zum Markusevangelium
Markus Lau
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»If Christ has not been raised ...« : Studies on the Reception of the Resurrection Stories and the Belief in the Resurrection in the Early Church
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