Connected via the fictional town of St Anneâs, a community along Nova Scotiaâs western shore, each story takes its title from the childrenâs rhyme Counting Crows.
One for sorrow, two for joy,
three for a message, four for a boy,
five for silver, six for gold,
seven for a secret never to be told.
Within each tale an individual (often from the same family, always from the same town) will note the number of crows in their midst and recall the poem as it relates to the prophecy and the story at hand. Between the last century and the current one, the characters (for the most part, women) walk a shifting landscape carved out by war, poverty, and patriarchal expectations. Beneath the gaze of a small town and these intelligent birds whose memories are unforgiving, we are as close as a heartbeat to the souls upon these pages.
Born in Nova Scotia, Mary Verna Feehan has lived, worked and studied throughout Canada, the United States and Ireland. Her writing, fed by place and the souls inhabiting them, speaks from the blue and pink collar world she hails from and navigates. Her work has appeared in North American and European journals. She lives with her family on Cape Breton Island. In the Shadow of Crows is her first collection of short stories.
Reviews and Praise
âMs. Feehan ingeniously crafts each story so that we get an idea of what life in St. Anneâs is like and a feel for its inhabitants. . . I can highly recommend this small but mighty collection of excellent short stories. Each one has the requisite amount of tension to keep the reader engaged and wanting to finish the book in one sitting . . .. A remarkable example of interlinked stories that leave you wanting more from an author to watch. Iâm sure there are many more stories to come out of little St. Anne.â James Fisher, Founding Editor of The Miramichi Reader
âM.V. Feehanâs In the Shadow of Crows is a book of immense tenderness, grace, and emotional acuity. I admire Feehanâs subtle attention to states of yearning and loss, and to the secrets we reveal and concealâfrom ourselves, and from each other. She deftly maps the ways we navigate our internal worlds in the face of uncertainty, anxiety, shame, fear, hope, and love. Which is to say, as she writes, âthat jumble of history we carry. The world only we know because of the steps in our wake.ââ âJared Bland, editor and former publisher, McClelland & Stewart
âPoetic in its tellingâM.V. Feehanâs stories weave through time with recurring characters in the varied moments of a life.These people who live in or are connected to the town of St. Anneâs experience hope and disappointment, small dreams and painful realities. Throughout the narrations a Greek chorus of crows foretell the fates that await the men and women whose lives are forever changingâŚ. From a high school crush to the tragedy of a miscarriage to family ostracization, Feehanâs characters endure the burden of being alive, but they also live lives shot through with the joy of friendship, unexpected bureaucratic kindness and acts of tenderness.â Frank Macdonald, (A Forest for Callum and Smeltdog Man)
âA poignant view of lives passing with crows from a childrenâs rhyme poised at the margins of each story. Feehan has a deep and sensitive understanding of human nature and a relentless focus on each individual working his and her way through the maze.â Phyllis Barber, author of The Desert Between Us and The Desert Above
âFeehan successfully evokes nostalgia but more profoundly finds poignancy in each symbolic line, which is mirrored in the precision of her writing. The result is a mosaic that is at once dreamlike and realist. The struggles and moments of joy feel epic despite her remarkable concision.â Chris Benjamin, author of Boy with a Problem
Cover art: ALEX COLVILLE, Seven Crows 1980
Acrylic on hardboard, Owens Art Gallery, Mount Allison University, Copyright A.C. Fine Art. Reproduced with permission