Examining the racially white 'others' whom Shakespeare creates in characters like Richard III, Hamlet, and Tamora-figures who are never quite 'white enough'-this bold and compelling work emphasizes how such classification perpetuates anti-Blackness and reaffirms white supremacy. This essential contribution to Shakespeare studies, critical whiteness studies, and critical race studies is an authoritative, urgent dismantling of dramatized racial profiling.
Sonnets
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