The Plummeting Old Women by Daniil Kharms is a collection of stories, incidents, dialogues and fragments that forms an important part of the buried literature of Russian modernism now revealed under glasnost. These texts are characterized by a startling and macabre novelty, with elements of the grotesque, fantastic and child-like touching the imagination of the everyday. They express the cultural landscape of Stalinism -- years of show trials, mass atrocities and stifled political life. Their painful, unsettling eloquence testify to the humane and the comic in this absurdist writer's work. The translator Neil Cornwall gives a biographical introduction to his subject, enlarged upon by the poet Hugh Maxton in a contextual assessment of the writing of Flann O'Brien, Le Fanu and Doyle, and of their shared concerns with detective fiction, terror and death. Daniil Kharms 91905-42) died under Stalin. Along with fellow poets and prose-writers of the era -- Khlebnikov, Biely, Mandelstam, Zabolotsky and Pasternak -- he is one of the emerging experimentalists of Russian modernism.
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H. and E. Heron, Sheridan Le Fanu, Charlotte Riddell, Flora Annie Steel, Amelia B. Edwards, Margaret Oliphant, Edward Bellamy, Arnold Bennett, S. Baring-Gould, Daniil Kharms, E. F. Benson, Ella D'Arcy, Jacques Futrelle, Frank Richard Stockton, John Kendrick Bangs, Kenneth Grahame, Julian Hawthorne, A. E. W. Mason, Richard Middleton, Pierre Louÿs, Sir Hugh Seymour Walpole, Ethel Richardson, Gertrude Stein, E. Phillips Oppenheim, Arthur Quiller-Couch, Mór Jókai, Andy Adams, Bertha Sinclair, Fitz James O'Brien, Eleanor H. Porter, Valery Bryusov, John Ulrich Giesy, Otis Adelbert Kline, Paul Laurence Dunbar, Barry Pain, Gertrude Bennett, Francis Marion Crawford, William Pett Ridge, Gilbert Parker, Harriet Elizabeth Prescott Spofford, Elizabeth Garver Jordan, Richard Austin Freeman, Alice Duer Miller, Leonard Merrick, Anthony Hope, Ethel Watts Mumford, Anne O'Hagan Shinn, B. M. Bower, August Nemo
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bookThe Plummeting Old Women
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