3.6(16)

War of the Worlds

The War of the Worlds is a military science fiction novel by H. G. Wells. It first appeared in serialized form in 1897, published simultaneously in Pearson's Magazine in the UK and Cosmopolitan magazine in the US. The first appearance in book form was published by William Heinemann of London in 1898. It is the first-person narrative of the adventures of an unnamed protagonist and his brother in Surrey and London as Earth is invaded by Martians. Written between 1895 and 1897, it is one of the earliest stories that detail a conflict between mankind and an extraterrestrial race. The novel is one of the most commented-on works in the science fiction canon.

The War of the Worlds has two parts, Book One: The Coming of the Martians and Book Two: The Earth under the Martians. The narrator, a philosophically-inclined author, struggles to return to his wife while seeing the Martians lay waste to southern England. Book One also imparts the experience of his brother, also unnamed, who describes events in the capital and escapes the Martians by boarding a ship near Tillingham, on the Essex coast.

The plot has been related to invasion literature of the time. The novel has been variously interpreted as a commentary on evolutionary theory, British Imperialism, and generally Victorian superstitions, fears and prejudices. At the time of publication it was classified as a scientific romance, like his earlier novel The Time Machine. The War of the Worlds has been both popular (having never gone out of print) and influential, spawning half a dozen feature films, radio dramas, a record album, various comic book adaptations, a television series, and sequels or parallel stories by other authors. It has even influenced the work of scientists, notably Robert Hutchings Goddard.

Plot Summary

Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.

— H. G. Wells (1898), The War of the Worlds

The Coming of the Martians

The narrative opens in an astronomical observatory at Ottershaw where explosions are seen on the surface of the planet Mars, creating much interest in the scientific community. Later a "meteor" lands on Horsell Common, near the narrator's home in Woking, Surrey. He is among the first to discover that the object is an artificial cylinder that opens, disgorging Martians who are "big" and "greyish" with "oily brown skin," "the size, perhaps, of a bear," with "two large dark-coloured eyes," and a lipless "V-shaped mouth" surrounded by "Gorgon groups of tentacles." The narrator finds them "at once vital, intense, inhuman, crippled and monstrous." They briefly emerge, have difficulty in coping with the Earth's atmosphere, and rapidly retreat into the cylinder. A human deputation (which includes the astronomer Ogilvy) approaches the cylinder with a white flag, but the Martians incinerate them and others nearby with a heat-ray before beginning to assemble their machinery. Military forces arrive that night to surround the common, including Maxim guns. The population of Woking and the surrounding villages are reassured by the presence of the military. A tense day begins, with much anticipation of military action by the narrator.

Über dieses Buch

The War of the Worlds is a military science fiction novel by H. G. Wells. It first appeared in serialized form in 1897, published simultaneously in Pearson's Magazine in the UK and Cosmopolitan magazine in the US. The first appearance in book form was published by William Heinemann of London in 1898. It is the first-person narrative of the adventures of an unnamed protagonist and his brother in Surrey and London as Earth is invaded by Martians. Written between 1895 and 1897, it is one of the earliest stories that detail a conflict between mankind and an extraterrestrial race. The novel is one of the most commented-on works in the science fiction canon.

The War of the Worlds has two parts, Book One: The Coming of the Martians and Book Two: The Earth under the Martians. The narrator, a philosophically-inclined author, struggles to return to his wife while seeing the Martians lay waste to southern England. Book One also imparts the experience of his brother, also unnamed, who describes events in the capital and escapes the Martians by boarding a ship near Tillingham, on the Essex coast.

The plot has been related to invasion literature of the time. The novel has been variously interpreted as a commentary on evolutionary theory, British Imperialism, and generally Victorian superstitions, fears and prejudices. At the time of publication it was classified as a scientific romance, like his earlier novel The Time Machine. The War of the Worlds has been both popular (having never gone out of print) and influential, spawning half a dozen feature films, radio dramas, a record album, various comic book adaptations, a television series, and sequels or parallel stories by other authors. It has even influenced the work of scientists, notably Robert Hutchings Goddard.

Plot Summary

Yet across the gulf of space, minds that are to our minds as ours are to those of the beasts that perish, intellects vast and cool and unsympathetic, regarded this earth with envious eyes, and slowly and surely drew their plans against us.

— H. G. Wells (1898), The War of the Worlds

The Coming of the Martians

The narrative opens in an astronomical observatory at Ottershaw where explosions are seen on the surface of the planet Mars, creating much interest in the scientific community. Later a "meteor" lands on Horsell Common, near the narrator's home in Woking, Surrey. He is among the first to discover that the object is an artificial cylinder that opens, disgorging Martians who are "big" and "greyish" with "oily brown skin," "the size, perhaps, of a bear," with "two large dark-coloured eyes," and a lipless "V-shaped mouth" surrounded by "Gorgon groups of tentacles." The narrator finds them "at once vital, intense, inhuman, crippled and monstrous." They briefly emerge, have difficulty in coping with the Earth's atmosphere, and rapidly retreat into the cylinder. A human deputation (which includes the astronomer Ogilvy) approaches the cylinder with a white flag, but the Martians incinerate them and others nearby with a heat-ray before beginning to assemble their machinery. Military forces arrive that night to surround the common, including Maxim guns. The population of Woking and the surrounding villages are reassured by the presence of the military. A tense day begins, with much anticipation of military action by the narrator.

Starte noch heute mit diesem Buch für 0 €

  • Hole dir während der Testphase vollen Zugriff auf alle Bücher in der App
  • Keine Verpflichtungen, jederzeit kündbar
Jetzt kostenlos testen
Mehr als 52 000 Menschen haben Nextory im App Store und auf Google Play 5 Sterne gegeben.

  1. 100 Meisterwerke des Horrors - Klassiker, die man kennen muss : Der Sandmann, Lebendig begraben, Der Vampyr, Frankenstein, Carmilla, Dracula, Die Katzen von Ulthar, Der Käfer, Die Drehung der Schraube

    H.P. Lovecraft, Richard Marsh, E T A Hoffmann, Bram Stoker, Edgar Allan Poe, Mary Shelley, Fjodor M Dostojewski, Hugh Walpole, Franz Kafka, Horace Walpole, Henry James, R. Ryan, James Malcolm Rymer, Prosper Mérimée, Wladyslaw Stanislaw Reymont, Algernon Blackwood, Ann Radcliffe, Marjorie Bowen, Robert W. Chambers, Gaston Leroux, Honoré de Balzac, Robert Louis Stevenson, Charlotte Perkins Gilman, H.G. Wells, Stanislaw Przybyszewski, Arthur Conan Doyle, Oscar Wilde, Octave Mirbeau, Emily Brontë, August Strindberg, Edith Wharton, H. Rider Haggard, Jodocus Temme

  2. 3.0

    200 Meisterwerke der Literaturgeschichte : Die größten Klassiker der Weltliteratur

    Franz Kafka, Victor Hugo, Fjodor Michailowitsch Dostojewski, Lord Byron, Giacomo Leopardi, Marcel Proust, Henrik Ibsen, Percy Bysshe Shelley, Charles Dickens, Jane Austen, Mary Shelley, Emily Brontë, Charlotte Brontë, Anne Brontë, William Makepeace Thackeray, Bram Stoker, Henry Fielding, George Eliot, William Shakespeare, D. H. Lawrence, Walt Whitman, Herman Melville, Thomas Wolfe, Virginia Woolf, Joseph Conrad, Sinclair Lewis, Lewis Carrol, Edgar Allan Poe, Edward Bulwer-Lytton, Oscar Wilde, H.G. Wells, Daniel Defoe, James Fenimore Cooper, Lew Wallace, Jonathan Swift, Robert Louis Stevenson, Mark Twain, Walter Scott, Nathaniel Hawthorne, Harriet Beecher Stowe, Laurence Sterne, Frances Hodgson Burnett, Arthur Conan Doyle, Wilkie Collins, Edgar Wallace, Jack London, Henry David Thoreau, John Galsworthy, F. Scott Fitzgerald, Rudyard Kipling, G.K. Chesterton, Washington Irvin, O.Henry, Ambrose Bierce, Alexander Sergejewitsch Puschkin, Michail Lermontow, Iwan Sergejewitsch Turgenew, Leo Tolstoi, Nikolai Gogol, Iwan Gontscharow, Nikolai Leskow, Anton Pawlowitsch Tschechow, Maxim Gorki, François Rabelais, Jean de la Fontaine, Blaise Pascal, Pierre Corneille, Moliere, Jean Baptiste Racine, Charles Perrault, Voltaire, Denis Diderot, Jean-Jacques Rousseau, Pierre-Ambroise Choderlos de Laclos, Antoine-François Prévost, Marquis De Sade, François René Chateaubriand, Stendhal, Honoré de Balzac, Alexandre Dumas, Alphonse de Lamartine, George Sand, Gustave Flaubert, Emile Zola, Guy De Maupassant, Alphonse Daudet, Jules Verne, Joris-Karl Huysmans, Prosper Mérimée, Charles Baudelaire, Stéphane Mallarmé, Arthur Rimbaud, André Gide, Arthur Schopenhauer, Heinrich Heine, Friedrich Schiller, Johann Wolfgang von Goethe, Jacob Grimm, Gottfried von Straßburg, Wolfram von Eschenbach, E T A Hoffmann, Annette von Droste-Hülshoff, Heinrich von Kleist, Friedrich Hölderlin, Theodor Fontane, Gustav Freytag, Gottfried Keller, Theodor Storm, Stefan Zweig, Joseph von Eichendorff, Klaus Mann, Rainer Maria Rilke, Johanna Spyri, Joseph Roth, Karl May, Robert Musil, Heinrich Mann, Sigmund Freud, Friedrich Nietzsche, Dante Alighieri, Giovanni Boccaccio, Giacomo Casanova, Luigi Pirandello, Giosuè Carducci, Gabriele D’Annunzio, Niccolo Machiavelli, Miguel Cervantes de Saavedra, Pedro Calderón de la Barca, Vicente Blasco Ibañez, Knut Hamsun, Homer, Äsop, Herodot, Thukydides, Xenophon, Platon, - Aristoteles, - Sophokles, Euripides, - Aristophanes, Lao Tse, - Konfuzius, Siddhartha Gautama Buddha, Titus Livius, Tacitus, Marcus Tullius Cicero, Vergil, Ovid, Lukian, Petronius, Apuleius, Longos von Lesbos, Mark Aurel, Aurelius Augustinus

  3. Halloween Horrorfest – 100 Meisterwerke des Grauens : Die Maske des Roten Todes, Die Ratten in den Wänden, Die Legende von Sleepy Hollow, Die Mumie, Allerseelennacht, Das Schloss von Otranto...

    Hugh Walpole, H.P. Lovecraft, Mary Shelley, Henry James, Edgar Allan Poe, Jeremias Gotthelf, Washington Irving, Nikolai Gogol, Joseph Sheridan Le Fanu, Bram Stoker, Algernon Blackwood, Fjodor M Dostojewski, Prosper Mérimée, Honoré de Balzac, Robert W. Chambers, Gaston Leroux, Charlotte Perkins Gilman, H.G. Wells, Franz Kafka, Arthur Conan Doyle, Oscar Wilde, Emily Brontë, Octave Mirbeau, Carolyn Wells, Edith Wharton, H. Rider Haggard

  4. 100 Meisterwerke der englischen Literatur - Klassiker, die man kennen muss

    George Orwell, Charles Dickens, Jane Austen, Katherine Mansfield, H.P. Lovecraft, William Wordsworth, John Keats, Percy Bysshe Shelley, Robert Burns, John Milton, William Shakespeare, Christopher Marlowe, Geoffrey Chaucer, Laurence Sterne, Henry Fielding, Mary Shelley, Emily Brontë, Charlotte Brontë, Anne Brontë, William Makepeace Thackeray, George Eliot, D. H. Lawrence, Herman Melville, Thomas Wolfe, Virginia Woolf, Joseph Conrad, Sinclair Lewis, Walt Whitman, Edgar Allan Poe, Oscar Wilde, Jerome K Jerome, Washington Irving, Bram Stoker, H.G. Wells, Daniel Defoe, Lew Wallace, James Fenimore Cooper, Jonathan Swift, Robert Louis Stevenson, Mark Twain, Lewis Carrol, Edward Bulwer-Lytton, F. Scott Fitzgerald, Arthur Conan Doyle, Jack London, Henry David Thoreau, G.K. Chesterton, Edith Wharton, Henry James, Thomas Hardy, Margaret Mitchell, Kate Chopin, Willa Cather, Charlotte Perkins Gilman, James Joyce, John Galsworthy, Francis Hodgson Burnett, Lucy Maud Montgomery, Louisa May Alcott, Rudyard Kipling

  5. 31. Juli
    2.9

    The Time Machine

    H.G. Wells

  6. My First Aeroplane :

    H.G. Wells

  7. The Man Who Could Work Miracles :

    H.G. Wells

  8. 2.9

    The Time Machine

    H.G. Wells

  9. 50 Vintage Sci-Fi Short Stories 3 : Legendary Authors. Timeless Stories. Endless Imagination.

    James Blish, Edward W. Ludwig, Arthur C. Clarke, Jack Vance, I. M. Bukstein, Harry Harrison, Robert Silverberg, Ross Rocklynne, Lester del Rey, Clifford D. Simak, Fredric Brown, Poul Anderson, John Bernard Daley, Paul Ernst, Henry Slesar, Frederik Pohl, H.G. Wells, Charles L. Fontenay, Robert Sheckley, Murray Leinster, Isaac Asimov, Frank Belknap Long, Sol Boren, Fritz Leiber, Evan Hunter, George O. Smith, Algis Budrys, Ray Bradbury, Philip K Dick

  10. Der Mann, der Wunder vollbringen konnte : (Graphic Novel)

    H.G. Wells

  11. Das Kaleidoskop des Grauens: : Die neue Hörbuch-Playlist für schaurige Stunden

    E T A Hoffmann, Arthur Conan Doyle, Walter Serner, Fjodor Dostojewski, Edgar Allan Poe, Oskar Panizza, Frédéric Boutet, Hermann Harry Schmitz, H.G. Wells, Nikolai W. Gogol

  12. Grusel, Horror und Schauer: Die große Hörbuch Box : Klassiker der Weltliteratur

    Robert Louis Stevenson, Nathaniel Hawthorne, E T A Hoffmann, Anton Tschechow, Georg Heym, W. Jacobs, Rudyard Kipling, Guy De Maupassant, H.P. Lovecraft, John Polidori, Edgar Allan Poe, H.G. Wells, Theodor Storm, A. J. Mordtmann