Captivated by the allure of his own portrait, Dorian Gray gives his soul in exchange for eternal youth and beauty. His friend Lord Henry Wotton draws him into a double life of secret vice, while to the world outside he preserves his immaculate facade. As his hidden portrait becomes uglier with each new sin, Dorian begins to lose control, and his past comes around to haunt him.
Oscar Wilde's only novel is half gothic horror, half morality tale, and is as timeless as his plays and poems. First published in 1889, this unabridged audiobook edition narrated by Jake Urry captures the wit, the charm and the horror of Wilde's most controversial work.
Captivated by the allure of his own portrait, Dorian Gray gives his soul in exchange for eternal youth and beauty. His friend Lord Henry Wotton draws him into a double life of secret vice, while to the world outside he preserves his immaculate facade. As his hidden portrait becomes uglier with each new sin, Dorian begins to lose control, and his past comes around to haunt him.
Oscar Wilde's only novel is half gothic horror, half morality tale, and is as timeless as his plays and poems. First published in 1889, this unabridged audiobook edition narrated by Jake Urry captures the wit, the charm and the horror of Wilde's most controversial work.
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Novelista, poeta, crítico literario y autor teatral de origen irlandés, gran exponente del esteticismo, Oscar Wilde conoció el éxito desde sus comienzos gracias al ingenio punzante y epigramático que derrochó en sus obras, dedicadas casi siempre a fustigar a sus contemporáneos. Defensor del arte por el arte, sus relatos repletos de diálogos vivos y cargados de ironía provocaron feroces críticas de los sectores conservadores, que se acentuaron cuando Wilde fue acusado y condenado por su homosexualidad, lo que originó el declive de su carrera literaria y de su vida personal. Entre sus obras destacan las cuatro comedias teatrales El abanico de lady Windermere (1892), Una mujer sin importancia (1893), Un marido ideal (1895) y La importancia de llamarse Ernesto (1895), El fantasma de Canterville o El retrato de Dorian Gray, su única novela.
