The World Is Badly Made :

When the palace of Arabesque’s aide d’camp, a cat named the Tremblees, stumbles upon a translation of an ancient language that reveals the existence of a fabled stone, he vows to find it for reasons of greed and vengeance.

With a dead dog stuck to a car bonnet, some burst luggage, a blind bus driver and an enormous number of olives, it becomes a race for Oscar, his colleague Meesha and the Tieress of Arabesque to prevent the Tremblees plunging Arabesque back into the Era of Bedlam, a horror that plagued the land a thousand years ago.

“Corfield blurs the boundary between rubbish and garbage, and does justice to neither.” - Aiden White, Barrington Points Lighthouse Keeper.

“The plot is only held together by the book’s tangled and convoluted sentences.” - Tiffany Parlek, Mortal Goddess.

“A two-in-the-morning page turner, but only because each one’s so hard to get through.” – Pannel Norbit, Curator of Exotic Fungal Infections.

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The World Is Badly Made :

When the palace of Arabesque’s aide d’camp, a cat named the Tremblees, stumbles upon a translation of an ancient language that reveals the existence of a fabled stone, he vows to find it for reasons of greed and vengeance.

With a dead dog stuck to a car bonnet, some burst luggage, a blind bus driver and an enormous number of olives, it becomes a race for Oscar, his colleague Meesha and the Tieress of Arabesque to prevent the Tremblees plunging Arabesque back into the Era of Bedlam, a horror that plagued the land a thousand years ago.

“Corfield blurs the boundary between rubbish and garbage, and does justice to neither.” - Aiden White, Barrington Points Lighthouse Keeper.

“The plot is only held together by the book’s tangled and convoluted sentences.” - Tiffany Parlek, Mortal Goddess.

“A two-in-the-morning page turner, but only because each one’s so hard to get through.” – Pannel Norbit, Curator of Exotic Fungal Infections.


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