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  1. #3

    99 Classic Mystery Short Stories Vol.1 : : Works by Arthur Conan Doyle, E. Phillips Oppenheim, Fred M. White, Rudyard Kipling, Wilkie Collins, H.G. Wells...and many more !

    Arthur Conan Doyle, Arthur B. Reeve, Arthur Quiller-Couch, Algernon Blackwood, Readym Anthologies, Arthur Stanwood Pier, Arthur Stringer, Barry Pain, Carolyn Wells, Compton MacKenzie, E. Phillips Oppenheim, Edgar Fawcett, Edgar Wallace, Eleanor H. Porter, Emerson Hough, Ethel Watts Mumford, F. Hopkinson Smith, Forrest Crissey, Frances Hodgson Burnett, Fred M. White, G.B. Lancaster, George Ade, Gilbert Parker, H. Bedford-Jones, H.G. Wells, Hapsburg Liebe, Harold Bindloss, Harvey J. O'Higgins, Henry C. Rowland, Honore Willsie, Hugh Pendexter, James Branch Cabell, James Hopper, James Oliver Curwood, Jennette Lee, Josephine Daskam Bacon, Leonard Merrick, Margaret Sherwood, Marie Belloc Lowndes, Marjorie Bowen, Mary Heaton Vorse, Mary Raymond Andrews, Max Beerbohm, Max Pemberton, Octavus Roy Cohen, Perceval Gibbon, R Austin Freeman, Richard Marsh, Roy Norton, Rudyard Kipling, Rupert Hughes, Sax Rohmer, Stacy Aumonier, W. Pett Ridge, W. W. Jacobs, Wilkie Collins, William MacLeod Raine

  2. 5.0

    50 Mystery & Investigation Masterpieces (Active TOC) (ABCD Classics) vol: 2

    Mark Twain, Agatha Christie, Arthur Conan Doyle, Edgar Allan Poe, Dorothy Leigh Sayers, G.K. Chesterton, Charles Dickens, Jules Verne, Wilkie Collins, Joseph Smith Fletcher, R Austin Freeman, Maurice Leblanc, Sax Rohmer, ABCD Classics

  3. Brood Of The Witch Queen

    Sax Rohmer

  4. The Yellow Claw

    Sax Rohmer

  5. Fire-Tongue

    Sax Rohmer

  6. The Golden Scorpion

    Sax Rohmer

  7. Grey Face

    Sax Rohmer

  8. The Sins of Séverac Bablon

    Sax Rohmer

  9. Dope

    Sax Rohmer

  10. The Exploits of Captain O'Hagan

    Sax Rohmer

  11. Bat Wing

    Sax Rohmer

  12. The Green Eyes of Bast

    Sax Rohmer

The Quest of the Sacred Slipper

I was not the only passenger aboard the S.S. Mandalay who perceived the disturbance and wondered what it might portend and from whence proceed. A goodly number of passengers were joining the ship at Port Said. I was lounging against the rail, pipe in mouth, lazily wondering, with a large vagueness.

What a heterogeneous rabble it was!—a brightly coloured rabble, but the colours all were dirty, like the town and the canal. Only the sky was clean; the sky and the hard, merciless sunlight which spared nothing of the uncleanness, and defied one even to think of the term dear to tourists, "picturesque." I was in that kind of mood. All the natives appeared to be pockmarked; all the Europeans greasy with perspiration.

But what was the stir about?

I turned to the dark, bespectacled young man who leaned upon the rail beside me. From the first I had taken to Mr. Ahmad Ahmadeen.

"There is some kind of undercurrent of excitement among the natives," I said, "a sort of subdued Greek chorus is audible. What's it all about?"

Mr. Ahmadeen smiled. After a gaunt fashion, he was a handsome man and had a pleasant smile.

"Probably," he replied, "some local celebrity is joining the ship."

I stared at him curiously.

"Any idea who he is?" (The soul of the copyhunter is a restless soul.)

A group of men dressed in semi-European fashion—that is, in European fashion save for their turbans, which were green—passed close to us along the deck.

Ahmadeen appeared not to have heard the question.

The disturbance, which could only be defined as a subdued uproar, but could be traced to no particular individual or group, grew momentarily louder—and died away. It was only when it had completely ceased that one realized how pronounced it had been—how altogether peculiar, secret; like that incomprehensible murmuring in a bazaar when, unknown to the insular visitor, a reputed saint is present.

Then it happened; the inexplicable incident which, though I knew it not, heralded the coming of strange things, and the dawn of a new power; which should set up its secret standards in England, which should flood Europe and the civilized world with wonder.

A shrill scream marked the overture—a scream of fear and of pain, which dropped to a groan, and moaned out into the silence of which it was the cause.

"My God! what's that?"

I started forward. There was a general crowding rush, and a darkly tanned and bearded man came on board, carrying a brown leather case. Behind him surged those who bore the victim.

"It's one of the lascars!"


ou

Trouvez une histoire immédiatement

Passer la liste
  1. #3

    99 Classic Mystery Short Stories Vol.1 : : Works by Arthur Conan Doyle, E. Phillips Oppenheim, Fred M. White, Rudyard Kipling, Wilkie Collins, H.G. Wells...and many more !

    Arthur Conan Doyle, Arthur B. Reeve, Arthur Quiller-Couch, Algernon Blackwood, Readym Anthologies, Arthur Stanwood Pier, Arthur Stringer, Barry Pain, Carolyn Wells, Compton MacKenzie, E. Phillips Oppenheim, Edgar Fawcett, Edgar Wallace, Eleanor H. Porter, Emerson Hough, Ethel Watts Mumford, F. Hopkinson Smith, Forrest Crissey, Frances Hodgson Burnett, Fred M. White, G.B. Lancaster, George Ade, Gilbert Parker, H. Bedford-Jones, H.G. Wells, Hapsburg Liebe, Harold Bindloss, Harvey J. O'Higgins, Henry C. Rowland, Honore Willsie, Hugh Pendexter, James Branch Cabell, James Hopper, James Oliver Curwood, Jennette Lee, Josephine Daskam Bacon, Leonard Merrick, Margaret Sherwood, Marie Belloc Lowndes, Marjorie Bowen, Mary Heaton Vorse, Mary Raymond Andrews, Max Beerbohm, Max Pemberton, Octavus Roy Cohen, Perceval Gibbon, R Austin Freeman, Richard Marsh, Roy Norton, Rudyard Kipling, Rupert Hughes, Sax Rohmer, Stacy Aumonier, W. Pett Ridge, W. W. Jacobs, Wilkie Collins, William MacLeod Raine

  2. 5.0

    50 Mystery & Investigation Masterpieces (Active TOC) (ABCD Classics) vol: 2

    Mark Twain, Agatha Christie, Arthur Conan Doyle, Edgar Allan Poe, Dorothy Leigh Sayers, G.K. Chesterton, Charles Dickens, Jules Verne, Wilkie Collins, Joseph Smith Fletcher, R Austin Freeman, Maurice Leblanc, Sax Rohmer, ABCD Classics

  3. Brood Of The Witch Queen

    Sax Rohmer

  4. The Yellow Claw

    Sax Rohmer

  5. Fire-Tongue

    Sax Rohmer

  6. The Golden Scorpion

    Sax Rohmer

  7. Grey Face

    Sax Rohmer

  8. The Sins of Séverac Bablon

    Sax Rohmer

  9. Dope

    Sax Rohmer

  10. The Exploits of Captain O'Hagan

    Sax Rohmer

  11. Bat Wing

    Sax Rohmer

  12. The Green Eyes of Bast

    Sax Rohmer

À propos de ce livre

I was not the only passenger aboard the S.S. Mandalay who perceived the disturbance and wondered what it might portend and from whence proceed. A goodly number of passengers were joining the ship at Port Said. I was lounging against the rail, pipe in mouth, lazily wondering, with a large vagueness.

What a heterogeneous rabble it was!—a brightly coloured rabble, but the colours all were dirty, like the town and the canal. Only the sky was clean; the sky and the hard, merciless sunlight which spared nothing of the uncleanness, and defied one even to think of the term dear to tourists, "picturesque." I was in that kind of mood. All the natives appeared to be pockmarked; all the Europeans greasy with perspiration.

But what was the stir about?

I turned to the dark, bespectacled young man who leaned upon the rail beside me. From the first I had taken to Mr. Ahmad Ahmadeen.

"There is some kind of undercurrent of excitement among the natives," I said, "a sort of subdued Greek chorus is audible. What's it all about?"

Mr. Ahmadeen smiled. After a gaunt fashion, he was a handsome man and had a pleasant smile.

"Probably," he replied, "some local celebrity is joining the ship."

I stared at him curiously.

"Any idea who he is?" (The soul of the copyhunter is a restless soul.)

A group of men dressed in semi-European fashion—that is, in European fashion save for their turbans, which were green—passed close to us along the deck.

Ahmadeen appeared not to have heard the question.

The disturbance, which could only be defined as a subdued uproar, but could be traced to no particular individual or group, grew momentarily louder—and died away. It was only when it had completely ceased that one realized how pronounced it had been—how altogether peculiar, secret; like that incomprehensible murmuring in a bazaar when, unknown to the insular visitor, a reputed saint is present.

Then it happened; the inexplicable incident which, though I knew it not, heralded the coming of strange things, and the dawn of a new power; which should set up its secret standards in England, which should flood Europe and the civilized world with wonder.

A shrill scream marked the overture—a scream of fear and of pain, which dropped to a groan, and moaned out into the silence of which it was the cause.

"My God! what's that?"

I started forward. There was a general crowding rush, and a darkly tanned and bearded man came on board, carrying a brown leather case. Behind him surged those who bore the victim.

"It's one of the lascars!"