The almost invisible images of a hitherto unknown painter called Eusebius, who worked in San Vitale Ravenna and in Vivarium, are a gallery of portraits of his famous contemporaries such as Theodoric, Vitiges, Amalasunta and a visual commentary of Justinian's tyrannical behaviour. Living between two ages, without belonging to either, this solitary man represents the fullest embodiment of a type of cultural "hybridisation" that is well attested throughout history. Eusebius is a spiritual brother of those "hybrid" artists, who have left extraordinary examples of "grotesques" populated by fantastic beings. After having embodied for so long the unbiased tolerance which had been the core of his own life and those of his companions in Ravenna: that mixture of confidentiality, intelligence, pointed irony, fantasy, and – why not? – touch of madness which had helped him to navigate through the troubled waters of his age, always leaving at the margins the demons who haunted him.
Painting in the Shadow : Hidden Writing and Images in Manuscripts and Portraits (Boethius, Cassiodorus, Justinian, Theodora, Theodoric)
Aloita tämä kirja jo tänään, hintaan 0€
- Kokeilujakson aikana käytössäsi on kaikki sovelluksen kirjat
- Ei sitoumusta, voit perua milloin vain
Kirjailija:
Kieli:
englanti
Muoto:

The Philosophy of Fine Art (Vol. 1-3) : Complete Edition

Lectures on Painting, Delivered to the Students of the Royal Acadamy : Enriched edition.

History of Sculpture, Painting, and Architecture : Enriched edition.

Modern Scottish Painting

Max Beckmann: On My Painting

The Alchemy of Paint

Delphi Complete Paintings of Dante Gabriel Rossetti (Illustrated)

Surreal : The Extraordinary Life of Gala Dalí

Modern Painting (Illustrated Edition) : Enriched edition. Study of the Art Movements from Impressionism to Cubism

The History of Painting in Italy : Complete Edition

A History of Art for Beginners and Students: Painting, Sculpture, Architecture : Enriched edition. An Accessible Guide to Painting, Sculpture & Architecture

Houston, We Have a Narrative : Why Science Needs Story

