Virginia Woolf's Orlando 'The longest and most charming love letter in literature', playfully constructs the figure of Orlando as the fictional embodiment of Woolf's close friend and lover, Vita Sackville-West. Spanning three centuries, the novel opens as Orlando, a young nobleman in Elizabeth's England, awaits a visit from the Queen and traces his experience with first love as England under James I lies locked in the embrace of the Great Frost. At the midpoint of the novel, Orlando, now an ambassador in Costantinople, awakes to find that he is a woman, and the novel indulges in farce and irony to consider the roles of women in the 18th and 19th centuries. As the novel ends in 1928, a year consonant with full suffrage for women. Orlando, now a wife and mother, stands poised at the brink of a future that holds new hope and promise for women.
100 Meisterwerke der englischen Literatur - Klassiker, die man kennen muss
George Orwell, Charles Dickens, Jane Austen, Katherine Mansfield, H.P. Lovecraft, William Wordsworth, John Keats, Percy Bysshe Shelley, Robert Burns, John Milton, William Shakespeare, Christopher Marlowe, Geoffrey Chaucer, Laurence Sterne, Henry Fielding, Mary Shelley, Emily Brontë, Charlotte Brontë, Anne Brontë, William Makepeace Thackeray, George Eliot, D. H. Lawrence, Herman Melville, Thomas Wolfe, Virginia Woolf, Joseph Conrad, Sinclair Lewis, Walt Whitman, Edgar Allan Poe, Oscar Wilde, Jerome K Jerome, Washington Irving, Bram Stoker, H.G. Wells, Daniel Defoe, Lew Wallace, James Fenimore Cooper, Jonathan Swift, Robert Louis Stevenson, Mark Twain, Lewis Carrol, Edward Bulwer-Lytton, F. Scott Fitzgerald, Arthur Conan Doyle, Jack London, Henry David Thoreau, G.K. Chesterton, Edith Wharton, Henry James, Thomas Hardy, Margaret Mitchell, Kate Chopin, Willa Cather, Charlotte Perkins Gilman, James Joyce, John Galsworthy, Francis Hodgson Burnett, Lucy Maud Montgomery, Louisa May Alcott, Rudyard Kipling
