This study examines how selected authors of the late 20th and early 21st centuries write about their creative processes in old age and thus purposefully produce a late style of their own. Late-life creativity has not always been viewed favourably. Prevalent "peak-and-decline" models suggest that artists, as they grow old, cease to produce highquality work. Aiming to counter such ageist discourses, the present study proposes a new ethics of reading literary texts by elderly authors. For this purpose, it develops a methodology that consolidates textual analysis with cultural gerontology.
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Band 146 in Schweizer Anglistische Arbeiten (SAA)Sprache:
Englisch
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A Catalogue of Manuscripts Known to Contain Old English Dry-Point Glosses
Dieter Studer-Joho
Fictions of Home : Narratives of Alienation and Belonging, 1850-2000
Martin Mühlheim
Revisiting Renoir, Manet and Degas : Impressionist Figure Paintings in Contemporary Anglophone Art Fiction
Lyutsiya Staub
One Great Family: Domestic Relationships in Samuel Richardson's Novels
Simone Höhn
Between Dream Houses and "God's Own Junkyard": Architecture and the Built Environment in American Suburban Fiction
Stefanie Strebel
Bilingual Couples in Conversation
Silja Ang-Tschachtli
Wyndham Lewis and British Art Rock : A Practicological Modernism
Thomas Keller







